![]() ![]() Alexandre became principle clarinetist in the New York Philharmonic. Meanwhile his brother Alexandre rose to prominence as a clarinetist in French and American orchestras. He abandoned his career as a performer to do full-time research to improve the instrument and its manufacture. He yearned for better quality instruments and succeeded to impress his dreams upon his two sons. They had intonation problems and didn't sound as well as he imagined that they should sound. The elder Selmer was painfully aware of the limitations of the instruments available to him. His sons were Henri and Alexandre Selmer, both professional clarinetists. In time it would become the standard clarinet of France and the Americas, and the most popular system in England.Ī student of Klosé and a renowned clarinetist during his time was Fréderic Selmer. This new system was not called the "Buffet-Klosé system" as it should have been, but instead it was called the "Boehm-Klosé system" clarinet. In 1844 the French clarinet maker Louis Auguste Buffet collaborated with the celebrated clarinet virtuoso and Paris Conservatory instructor Hyacinthe Eleonore Klosé to create an instrument with seventeen keys and five of Theobald Boehm's brille rings. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |